Story
Professor Aziz (Tansu Bişer) at Ankara University receives the “yellow letter” that arbitrarily notifies him of his dismissal. When his wife Derya (Özgü Namal), a famous actress at the national theatre, also receives it, it’s a devastating blow for the couple. Both, condemned for their ideas, are forced to seek refuge in Istanbul at Aziz’s mother’s place. The compromise between this new precariousness and their political commitment will test their marriage…
Our opinion
Two years ago, Ilker Çatak made a big impact with The Teachers’ Room, showcasing his talent and that of actress Leonie Benesch in a lively, edgy film set in a school environment. His latest work, freshly awarded the Golden Bear for Best Film at the Berlinale, is equally strong in its approach to censorship, the political struggle led by artists, and, unexpectedly, the impact this has on a couple. A duo forced into exile, but eager to continue their fight while avoiding further sinking into precariousness. As their daily life catches up with them, roles shift, and each one’s position evolves to a point of no return.
A rather unprecedented approach that delves into the intimacy of these theatre figures fallen into anonymity, treated with fervor. Yellow Letters stands out from similar productions by avoiding the trap of the lost cause of David versus Goliath when questioning the notion of an artist and their relationship with politics.
What is possible to change? How far can one stay true to their convictions? What must be sacrificed? How to reinvent oneself under the pressure of the powerful? All these questions are tackled head-on… and presented to the audience, invited to ponder on the space currently given to freedom of expression.
DRAMA (Germany, France, Turkey, 2h 08min). Directed by Ilker Catak, starring Özgü Namal, Tansu Bişer, Leyla Smyrna Cabas. Rating: 4/5.
